The Gift | Singapore Art Museum's Latest Exhibition



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The Gift features works from multiple collections, including Singapore Art Museum (SAM) and partner institutions Galerie Nasional Indonesia, MAIIAM Contemporary Art Museum, and Nationalgalerie.

Venue: City Hall Wing, Level B1, The Ngee Ann Kongsi Concourse Gallery, National Gallery Singapore
Date: 20 Aug to 7 Nov 2021
Fee: Free for Singaporeans and Permanent Residents

The act of gifting transforms an ordinary object into something much more meaningful and emotional; becoming an embodiment of a relationship, a social act, or even an obligation to another. These perspectives set the stage for SAM's latest exhibition, The Gift.

Presented as one of four related exhibitions in an ongoing transnational project titled Collecting Entanglements and Embodied Histories initiated by the Goethe-Institut, The Gift draws upon the project’s broader themes of interwoven histories, performed narratives and embodiment.

Exploring Historical Exchanges Across Geographical Boundaries

The Gift invites visitors to consider a multi-dimensional view of artworks and materials from across geographies and their relation to one another. Bringing visitors through a complex journey, the exhibits are presented as intimately connected through narratives, agencies, and histories, inspiring new meanings and perspectives.

Joseph Beuys, Energiestab

Energiestab (Energy Staff) (1974) by Joseph Beuys embodies key aspects of the artist’s influential practice, particularly his ideal of Eurasia as an expanded frame which defies the boundaries that delineates cultures and aesthetics.

Born Out Of Fire, Salleh Japar

Salleh Japar’s Born out of Fire (1993) was inspired by Japar’s travels to Australia and draws on universal symbols that are familiar across cultures and belief systems, yet personal when read within the context of one’s daily life.

Monument for Seub Nakhasathien, Tang Da Wu

Tang Da Wu’s Monument for Seub Nakhasathien (1991) extends support to Thai conservationist Seub Nakhasathien and his cause, continuing Tang’s explorations into issues of environment and ecology.

The Caretaker, Donna Ong

The Gift also investigates the nature of exchanges – of their gesture, value, expectations and reciprocation – and how the status and interpretation of exchange may also change over time.

Donna Ong’s The Caretaker (2008) for instance, extends the history of the Friendship Doll Project of 1927, an exchange of dolls between Japan and the United States as a symbol of goodwill and their close relationship. Many of the dolls were destroyed when tensions between the two countries escalated during World War II. Ong’s work returns to this historical moment by creating a fictional setting where a caretaker appears to be watching over the memory of the dolls and bearing witness to their amicable reunion.

The Critical Dictionary of Southeast Asia: F for Fold, Ho Tzu Nyen

Unpacking the complex definition of territories in Southeast Asia, Ho Tzu Nyen presents The Critical Dictionary of Southeast Asia: F for Fold (2021), from an ongoing project that is one of the commissioned works for Collecting Entanglements and Embodied Histories, where he showcases an amorphous interpretation of the subject of historical narratives through an endless physical book.

Offering Introspection Into The Subject Of Interrelationships

Beyond looking at historical landscapes and symbols, The Gift also draws visitors into introspective consideration of the self, through works that reflect personal expressions of interrelations between bodies and spaces, sensibilities and the other.

Body Pressure, Bruce Nauman

A key example is Bruce Nauman’s Korperdruck (Body Pressure) (1980), which invites audiences to introduce their body to the unyielding surface of a wall, encountering and becoming conscious of its resistance. Through this participatory work, Nauman encourages an examination of the self and one’s relationship with their own body.

Second Breath, Holly Zausner

Photo Credits: Singapore Art Museum

In Holly Zausner’s video work Second Breath (2004-2005), her performance enacted using large latex human-like forms set against a backdrop of Berlin’s architecture reflect her response to these historical structures, their narratives and the place of the individual in them.

The Gift is presented as part of Collecting Entanglements and Embodied Histories, a dialogue between the collections of SAM, Galeri Nasional Indonesia, MAIIAM Contemporary Art Museum, and Nationalgalerie – Staatliche Museen zu Berlin, initiated by the Goethe-Institut. The exhibitions are curated by June Yap, Grace Samboh, Gridthiya Gaweewong and Anna-Catharina Gebbers.


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This article is prepared by

Leona Quek
Blessed with 3 handsome and loving boys in her life. Two of them call her Mommy, the other calls her Wifey. Every night, she wishes for an early bedtime, but misses her babies as soon as they sleep.

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